Married in December 1964, the above picture was the following month in 1965 while returning from the Australian Spear fishing Championships at Kangaroo Island, South Australia. Ron and Valerie returned via Mount Gambier near the South Australian and Victoria border to do the first truly professional underwater shots in the crystal clear fresh water. Ron mostly used color film in a 6x6cm Rolleiflex with wide angle lens – not the usual Rolleimarin housing. This print was made from an inter-negative taken from the color original by Ron in his home darkroom. Valerie often retouched the B&W prints using her skills acquired as a commercial artist on The Silver Jacket (adventure magazine for boys), this print appears to be as original. The fresh water in Picaninnie Ponds isn’t exactly ‘freezing’ but you have a headache after 90 seconds and three minutes might be maximum before common sense says ‘get out’. Here in her late twenties in this picture, Valerie shows enormous will-power that has seen her persist or endure discomforts associated with diving better than anyone else I can think of – either male or female. This picture is from a series first published in Everybody’s magazine that amazed Australian underwater photographers and also established Ron as the leader – a position he could still challenge without difficulty.
Valerie with Silky shark (1965) during filming of “Surf Scene” at Flinders Reef, Queensland
The crystal clear fresh water is always colder than ocean waters.
This was in her orange wet suit with red stockings era, with an orange colored Tarzan face mask from France and (not shown) blue Cressi flippers/ from Italy.
Valerie touches the mirror calm surface with her fingers. Much of her body is out of water.
Ron Taylor was filming his 16mm documentary The Cave Divers which how the three of us, assisted by Pierre Dubuisson were in the region for a couple of weeks. (Pierre was to lead a multi-million dollar Belgian Expedition to the Great Barrier Reef the following year).
The Cave Divers were Rodney Fox, Valerie Taylor and myself. We explored while filming at The Shaft; Picaninnie and Ewen Ponds; The Pines and also at Kilsbies sink hole.
With 1000 watt 240 volt lights to illuminate the pitch darkness of underground, crystal clear dives. The electrical cables also served as safety lines.
(Inside the caves fine sediment stirred too easily, reducing visibility to a few inches. A horror situation that was to claim many divers lives in the the decade that followed when they explored without safety lines).
We would return with a crew of about thirty film production people to make a TV and cinema commercial the following winter, a Rothmans project to be called The Hands of Man’. The theme centered on well-preserved extinct kangaroo bones we’d found underwater by the handful inside The Pines cave.
The big budget Mount Gambier project was axed weeks after filming. Somewhere there are a few hours of quality 35mm movie footage showing the sink holes at their best.